IN May, Narrative Path is launching.
Narrative Path is the result of many months of research, study and learning, that results from a conversation I had with one of my wonderful authors. The question he asked was: how can densewords editing be made available to more authors. The problem is twofold: time and cost.
Even story development on a typical novel takes two 90 minute chats and up to ten hours additional time spent analysing and providing advice, help and answers to questions. A full literary edit takes 10 to 20 days.
Development consultation costs anything from $250 upwards and a literary edit on a full length novel anything from $1500 upwards.
But I'm convinced that a lot of what I can teach can be presented in a way that reaches a lot more people. It certainly can't be the same level of personalized help and support that I provide to my writers. But much of what I provide them can be organized in other ways.
Narrative Path is the result of this.
All the resources provided through Narrative Path are derived from my core goals: to reach more writers, and to teach writers by teaching writing, not by teaching critical analysis.
In parallel with Narrative Path, I plan to set up some local events. At this time, I haven't yet got a fully realized idea of the form that the events will take. I can envisage anything from panels at conventions, through weekend lectures, weeklong hothouse courses or two week exclusive writers' retreats - and anything else I haven't thought of. I want to do this on both sides of the Atlantic; all parts of North America, and in Europe any suitable venue should be considered.
In setting up Narrative Path, I have a business partner who is dealing with all the stuff that I have no knowledge or time to do - marketing, sales, technical, logistical, etc, in return for a substantial share in the profit. This arrangement also results in my learning a great deal about better communication and presentation of ideas, because we work very closely together on developing the courses and support materials.
For the events, ideally, I would like to do the same. So I'm looking for someone experienced in small-scale event management and promotion, for what is likely to be a long term partnership. I will bring the subject matter expertise, and they will bring the events, promotional and logistical expertise. Just as I like to edit all kinds of books, my events partner need not be specialized in literary, artistic, creative or academic events; if anything, I like working with people from outside my usual milieu as it produces a more creative partnership. Initially I'd like to organize four events for the upcoming months, at least two of which should be in North America.
But I will want to develop ideas for the form, frequency and presentation of these events with my events partner, so at the moment, everything is open to ideas and suggestions.
So if you are interested in this opportunity, or know anyone who you think might be, let me know.
If you want to know more, contact me via this page from my website.
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